This had originally intended to show the development of piano/keyboard playing in Jamaican music, but rather than just do a step-by-step timeline, I’ve picked out a few favourite tunes that have impacted upon me as a musician.
The first one is ‘Broadway Jungle’ by Toots and The Maytals. I love the piano riff that goes on throughout the tune, it’s the icing on the cake of a typically joyous Toots and The Maytals performance. The piano does an intro that is a little like Jackie Mittoo’s El Bang Bang, and it may well be Jackie playing on this track.
The next track I’ve chosen, Killer Diller by Jackie Mittoo is a departure, as it features the electric organ playing the main melody. It’s a Booker T & the MGs/Watermelon Man-type track but in ska, and, reflecting the influence of jazz on Jamaican musicians, the organ solo is in the soul-jazz mode.
Napoleon Solo, is a classic piece of rocksteady. On piano again is Jackie Mittoo, heard with the Soul Vendors which was a splinter group from The Skatalites. (Could be Lynn Taitt and The Jets.) I could almost imagine this as something from a 40s big band but adapted to the one drop style. The piano has a nice, understated jazz touch.
Ali Shuffle AKA ‘Rock Steady’ (and Seven Wonders Of The World) is a tribute to Buster’s friend Muhammad Ali, and it’s another organ-led piece, played by Winston Wright. What’s notable is the middle eastern tinge, which may have been a musical nod to the fact that both Ali and Buster were muslims. Coincidentally, John Coltrane and Yusef Lateef were also exploring African and middle eastern elements, as was the genre called ‘exotica’ through people such as Martin Denny and Les Baxter. This sound crops up in some of Don Drummond’s work and was later mined by Augustus Pablo in his output. Anyone familiar with The Specials will recognise Ali Shuffle as a precursor to Ghost Town.